"Actors would punish him for all eternity while a child gazed through glass."
Bliss, Peter Carey
"But he withheld his love--his vast, blind, uncritical love--from them, and they were like children withdrawn from the breast When their love was not reciprocated they punished him with a fury that puzzled them and left them guilty an shaken, offering apologies that could not be accepted, the rejection of which, in turn, produced greater hurts, ripped scar tissue before it was healed, and ended in scenes of such emotion and frenzy that the neighbours turned off their lights and came out into their gardens, where they stood silently beside fragrant trees."Bliss, Peter Carey
"But although it would be a long time before he concerned himself with goodness again, over the years it did fall into the sediment of his character, and at times over the years he found himself wondering what God would like him to do.
But now he was a man of thirty-nine lying in a hospital bed and contemplating death. He could not allow himself to know that he was sickened with his life. He was like someone who has lain in bed too long eating rich food: within his soul there was suddenly a yearning for tougher, stronger things, for ecstasies, for the thrill of goodness perfectly achieved, to see butterflies in doorways in Belize, to be part of the lightning dance, to quiver in terror before the cyclone."Bliss, Peter Carey
"But, look: the place he went to when he died bears absolutely no resemblance to the little wooden church of his youth, and the smells are not the smells of his Christianity, which were dry and clean like Palestinian roads through rocky landscapes, scented with cheap altar wine, floor polish, and the thin, almost ascetic, odour of his mother's perfume. It did not fit. It did not fit. It did not fit anything at all, except perhaps some stories he has since forgotten, but still retains, so one day he will remember them, even though they never appeared to him to have any religious intent.
Here, there, a fragment dredged up from some dark corner of his memory: Vance Joy pretending to be a Hopi Indian.
'You may need a tree for something--firewood, or a house. You offer four sacred stones. You pray, saying: "You have grown large and powerful. I have to cut you. I know you have knowledge in you from what happens around you. I am sorry, but I need your strength and power. I will give you these stones, but I must cut you down. These stones and my thoughts will be sure that another tree will take your place."
'The trees and the brush will talk back to you, when you talk to them. They can tell you what's coming or what came by, if you can read them.'"
"It was only a small house and when the February winds blew it rocked on its wooden stumps and it is a measure of their sense of their own specialness that they did not envy their neighbours' larger houses but found theirs in every way superior. To walk into that little cottage was to feel something that was available nowhere else in town: old oiled timbers, mellow lights, curious old rugs, and chipped plates with pretty patterns, which visitors would fondly imagine were remants of a misplaced fortune. Where everybody else bought glossy white paint and threw out their kitchen dresser, the Joys were seen removing the last vestiges of paint and fossicking out at the tip for their neighbours' rejected furniture."
"I suppose the postures for every action are always there and successive generations fall into them."
"Always it is interesting, is it not? to look rearward from the present moment to those earlier present moments from which it has arisen. If one perspicaciously from effects to causes traces the development of anything, one sees with clarity how infallibly one thing leads to another. And yet sometimes it is easier from the present to look forward and predict an outcome than it is from an outcome to look backward and determine a cause. ..."
"'Look at it. You might think you can simply follow a spiral to the centre but you can't. You start around it one way but then you double back and go the other way. You expect to get closer all the time but you keep passing through where you were before, passing through yourself as you inwind to the centre. And this isn't just a matter of walking around in a funny way; this is the earth we're walking on and it takes notice of our intention: if we do it together with the intention of inwinding ourselves to each other, then once we reach the centre that's it for ever. Do you want to do that?'"
"The drawing session had been thirsty work and the pepperoni cried out for Chianti which I happened to have a few bottles of. As we ate and drank it seemed to both of us that the evening was shaping nicely. I couldn't remember a time when I had drawn to well or felt so good; I wondered if I'd ever draw that well and feel that good again. Happiness can be unsettling, like catching a baby that someone has thrown out of a window."
"But disparaging those we love always detaches us from them to some extent. It is better not to touch our idols: the gilt comes off on our hands."
"She was ripping out the lining of a dress whose scraps lay scattered around her; the elder Madame Bovary kept working her squeaking scissors without ever looking up; Charles, in his cloth slipper and the old brown frock coat which he used as a dressing gown, sat with his hands in his pockets and remained as silent as the two ladies; and near them, wearing a little white apron, Berthe was scraping the gravel of the path with her shovel."
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Eat Drink Man Woman (1994) |
"These women, all rushing into his mind at once, got in each other's way and grew smaller, as though compressed to a common level of love. Picking up handfuls of mingled letters, he amused himself for several minutes by letting them cascade from one hand to the other. Finally, bored and drowsy, he put the box back into the wardrobe and said to himself, 'What a lot of nonsense!'
This summed up his opinion, for his amorous pleasures, like children in a schoolyard, had so trampled his heart that nothing green could grow in it; they were still more casual than children, for they had not even left their names on the walls."